Justin

和 (wa) Wednesday The Biwa

January 12, 2012 in 和 (wa) Wednesday

I’ve written about the Koto and a little about the Shamisen, but one instrument I don’t know much about is the Biwa.

This photograph on the left shows a modern Gagaku (traditional shinto court music) musician playing a “Gaku-biwa” which is only used in court music.  This is probably the most basic and oldest shape of the instrument.

The biwa came directly to Japan from China.

Check out this painting on the left China, probably Turfan, Tang dynasty, 8th century and the wood carving from Japan on the right.

The lineage of the instrument is traceable across asia to the middle east.

You can see the biwa shaped instrument in the bottom left corner of this painting from Persia.

The instrument was played by musicians who were known as Biwa-Hoshi.  They were traveling musicians who earned income by reciting  vocal literature to the accompaniment of biwa music. Often blind, they adopted the shaved heads and robes common to Buddhist monks. This occupation likely had its origin in China and India, where blind Buddhist lay-priest performers were once common.  These musicians would spread the buddhist precepts while singing and performing:

1.As the Buddha refrained from killing until the end of his life, so I too will refrain from killing until the end of my life.

2. As the Buddha refrained from stealing until the end of his life, so I too will refrain from stealing until the end of my life.

3. As the Buddha refrained from sexual misconduct until the end of his life, so I too will refrain from sexual misconduct until the end of my life.

4. As the Buddha refrained from false speech until the end of his life, so I too will refrain from false speech until the end of my life.

5. As the Buddha refrained from alcohol until the end of his life, so I too will refrain from alcohol till the end.

In Japan, the biwa musicians started to tell the tale of Heike around 1220.   It details battles between two powerful clans, the Genji and the Taira around the 12th century. The Taira were eventually annihilated by the Genji, who systematically killed every male descendant of the Taira.  The Taira spirits then began disrupting the peace. The Great Earthquake around 1185 C.E. contributed to this sentiment. Since their rituals included placating spirits and preventing plagues, Heike story telling through song became a vehicle for containing lingering, resentful Heike spirits. Heikyoku and biwa musicians became immensely popular for the next several hundred years.

One thing that I noticed in reading about the Biwa’s history, they seemed to belong to something like a union called the Tōdōza. A Japanese guild for blind men, established in the 14th century by the biwa performer Akashi Kakuichi. Members performed a variety of roles, as itinerant musicians, masseurs, and acupuncturists. It seems the government supported the guild and made sure they were performing and working.

The Todoza was banned in the Meiji period and musicians were forced to work for their own livings. Since then, the Meiji period brought a promininet interest in western instruments.  The biwa almost died out, but thanks to people who understand the importance of maintaining traditional culture, the instrument is still performed today.
Watch!

She is performing a Satsuma biwa.  There are a variety of different biwa available.   The main instruments now are Satsuma (on the right) and Chikuzen(on the left).

There are a number of foreign musicians playing chikuzen biwa nowadays.  Wonderful to hear!

 

Enjoy!

Justin

和 (wa) Wednesday – New years 春の海 the Sea In Spring

January 4, 2012 in 和 (wa) Wednesday

New years has come and gone and now all the local convenience stores are pumping KOTO music out of their speakers.  I hear a lot of what sounds like Danmono playing, but the most common and slightly irritating song is Sakura Sakura.

Sakura means Cherry Blossom, so unless I missed something I’m pretty sure that song is appropriate in the spring, not the dead of winter.

NONETHELESS!

Another piece that confused me was “Haru no umi” which means Spring Sea or the sea in spring and can be heard EVERYWHERE!!!!

I asked around and found out that 春 haru which is Spring in English is connected with 青春 or fresh / pure / new. Thus, when Miyagi Michio wrote this piece, it immediately became synonymous with New Years.

Enjoy!

 

okbye

Justin

25 string Koto.

July 3, 2011 in 和 (wa) Wednesday

I got tickets to a concert this month where someone will be playing a 25-string koto. This instrument seems to combine the best of the 13 and 17 (bass) string koto. Beautiful sound.

Justin

Rokudan no Shirabe

May 26, 2011 in 和 (wa) Wednesday

The first 52 beats of Rokudan no Shirabe has always interested me.

Here, in flash format, I have laid out how the melody looks as it follows the Japanese music theory method I wrote about previously.



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This is my first attempt at creating an image to accompany the music. I would like to have created a structure demonstrating the C, a step below the 3rd D that is used as a passing tone to D from A.

Having no previous knowledge of how to use flash, this kept me up all night and took over 4 hours to create.

More to come!