Justin

Modern Monday Vangelis

January 31, 2012 in Modern Monday

Vangelis…oh man Vangelis.

Possibly one of the biggest musical heroes out of Greece in the last 100 years.

Vangelis is a world-renowned Greek composer, keyboardist, and multi-instrumentalist. He mainly composes instrumental and film music and he performs all the music by himself.

I have almost all of his recorded works and really enjoy listening to his approach to using synthesizers.  Like Wendy Carlos he treated the synth like a synth and truly had his own original voice as an electronic musician.

Evangelos Odysseas Papathanassiou (Greek: Ευάγγελος Οδυσσέας Παπαθανασίου [evˈaɲɟelos oðiˈseas papaθanaˈsiu]) (born 29 March 1943) is a Greek composer of electronic, progressive, ambient, jazz, pop rock and orchestral music, under the artist name Vangelis (English pronunciation: /væŋˈɡɛlɨs/).[1] He is best known for his Academy Award-winning score for the film Chariots of Fire, and scores for the films Blade Runner, 1492: Conquest of Paradise and Alexander.
Vangelis began his professional musical career working with several popular bands of the 1960s such as The Forminx and Aphrodite’s Child, with the latter’s album 666 going on to be recognized as a psychedelic “classic”.[2] Throughout the 1970s, Vangelis composed music scores for several animal documentaries, including L’Apocalypse Des Animaux, La Fête sauvage and Opéra sauvage; the success of these scores brought him into the film scoring mainstream. In the early 1980s, Vangelis formed a musical partnership with Jon Anderson, the lead singer of progressive rock band Yes, and the duo went on to release several albums together as Jon & Vangelis. In 1981, he composed the score for the Oscar-winning film Chariots of Fire. The soundtrack’s single, “Titles”, won Vangelis the Academy Award for Best Original Music Score and also reached the top of the American Billboard.
In a career spanning over 50 years, writing and composing more than 52 albums, Vangelis is regarded by some music critics as one of the greatest composers of electronic music of all time

I was introduced to his music through Duane Bridges, friend, composer and old roommate.  I was tooling around with CHARIOTS OF FIRE one day and Duane came in and said, “awww yeah playing some Vangelis are we???” The rest was history when Duane broke out his collection of recordings and helped me find videos on YouTube.  His old band, Aphrodites Child has a song that we used to play in the band I was in with Duane.  Best part of being in that band was that I got to play keys!  Really got me into playing synths like they should be.

I always imagined having a synth throw down with him and a bunch of other keyboards to come up with some similar sounds, but never really got into buying keyboards.  Not like Vangelis did at least!

HOLY SMOKES!

The man has a ridiculous number of synths.

Keep in mind, he always tried to do everything live for the recording process.  Not a lot of overdubbing or coming up with parts after the fact.

These photos are all of his past studios.  The one on the far right is in Paris and on the roof of a building in what appears to be a greenhouse like structure!  AWESOME!
Scope this list:

Vangelis’ Analogue synthesizers

Model Spotted at….
ARP 2500 One cabinet in the Musical Express broadcast.
Arp Odyssey Superstar LP (“Earth” re-release, photo around ’80)
Arp Pro Soloist Photo
Elka Rhapsody 610 Sound on Sound “Recording Vangelis” equipment list
Farfisa Synthorchestra Sound on Sound “Recording Vangelis” equipment list
Korg 700 monophonic Interview Keyboard ’84
Korg 800DV “Maxi Korg” inside cover of Heaven and Hell LP
Korg Poly 800 Sound on Sound “Recording Vangelis” equipment list
Korg Polyphonic Ensemble Japanese LP pressing
Korg PS-3300 Spotted in a video interview
Moog Minimoog keyboard interview’81
Moog Modular System Booklet of 3LP box
Moog Satelite Sound on Sound “Recording Vangelis” equipment list
Oberheim 2 Voice Odes LP
Oberheim Matrix 12 Photo (in Keyboard?)
Roland Juno 106 There are two of them on the “Sound Studios” photographs in the “Direct” booklet
Roland Jupiter 4 (JP-4) Sound on Sound “Recording Vangelis” equipment list
Roland Jupiter 6 (JP-6) Seen on Herrod Atticus concert photographs
Roland JX8P Spotted in Nemo studios on photographs
Roland MKS 20 French Musicien magazine
Roland MKS 70 French Musicien magazine
Roland MKS 80 Super Jupiter Photo in “Direct” booklet
Roland ProMars Compuphonic Photo in “Superstar LP” (Earth)
Roland SH-3A Sound on Sound “Recording Vangelis” equipment list
Roland SH-1000 Sound on Sound “Recording Vangelis” equipment list
Roland SH-101 Spotted in Antarctica DVD extra feature
Roland System 100 French “guitarre et Clavier” magazine
Roland System 700 modular Pictures in booklet of 3LP box
RSF Kobol Keyboard USA interview
Sequential Circuits Prophet 5 Keyboard interview ’81
Sequential Circuits Prophet VS (rackmount) Photo in “Direct” booklet
Sequential Circuits Prophet 10 Photo in “Direct” booklet
Yamaha CS-40M Keyboard interview ’81
Yamaha CS-80 Keyboard interview ’81

That is just the analog collection alone.

More on this page---> http://elsew.com/data/synths.htm

Anyway, his approach to doing music live with lots of synths, sequencer like machines really pioneered and paved the way towards modern on board digital sequencers, and digital audio workstations.
Here are a collection of my favorite Vangelis tunes from Youtube.

ENJOY!

Justin

Modern Monday – Massive Attack

January 16, 2012 in Modern Monday

I was introduced to Massive Attack originally by my friend Andy Lansangan from the band “90 day men”.

I had never listened to music that could transport me to a totally different place. Of course I had listened to a variety of ambient records, Brian Eno, Steve Reich and Phillip Glass, but Massive Attack has this dark, a little bit unsettling DEEEEEP sound.

I did a little reading about the group on Wikipedia and found that they had quite a wild ride during the 90′s going through various collaborators, producers and losing one of the core members due to their dark post-punk influences.

They are originally from Bristol, England.  They were a part of a scene there in the 90′s.  You can read lots about them on Wikipedia. ( I couldn’t finish it all!)

They often get grouped with old collaborator TRICKY as being “Trip-hop” but apparently they abhorred the idea of being pigeonholed by one genre and made an effort to be different.

This song appeared on the first album that I bought of theirs. This is probably the most famous song of theirs. The album is called Mezzanine
.

According to the Wikipedia page, this album was pumped full of samples and they ended up paying way more than they had planned on rights to use the samples.   The next album they made was called 100th Window
.

I remember the moment my ears first feast on this album. I was 23 or 24, living in St. Louis, MO and my cousin picked me up in his brand new Mini Cooper and told me the new Massive Attack album had dropped. I had given him Mezzanine for Christmas a year before or so, so I was excited to hear that he was into them. He started the CD and instantly I felt transported into this dark tunnel with reflecting synthesizer beeps echoing around and finally a big heavy bass dropped in to the air and pulled me deeper.

That bass is usually made by a modern MINIMOOG.

Much smaller than the Moog I posted last week.

My favorite track on the album is probably the one with Sinead O’Connor singing.

Check it!

How would you describe this music?

Is there a word that could be used for this genre?

Justin

Jurstday Thursday cover of Weezer’s only in dreams

January 13, 2012 in Jurstday Thursday

I have always been a big fan of Weezer.  I got a lot of ridicule for liking this band, but whatever.  Good songs!

So, after a discussion with David Misung Stevenson, I decided to try and cover one of their songs.

Not too bad.  I decided I would force myself to do it in ABLETON LIVE so I could learn not only how to record, but also how to build a song in the layout section.

There are still a number of flubs here and there.  I have no idea where the drums get their random cymbals from, but I will figure this software OUT!

It blows my mind how intuitive Ableton Live is…just the learning curve is as flat as Mount Fuji!  IRONY! betch!

Without further ado

Justin DiCenzo – Weezer’s Only in Dreams

Here’s my disastrous attempt at covering Weezer’s ONLY IN DREAMS…a very short ONLY IN DREAMS

 

Justin

Modern Monday – A dream set to music part 1

January 2, 2012 in Modern Monday

This music was made last week while I was thinking about how long an actual REM pattern is when sleeping. I found out this via wikipedia:

REM sleep in adult humans typically occupies 20–25% of total sleep, about 90–120 minutes of a night’s sleep. REM sleep normally occurs close to morning.[4] During a normal night of sleep, humans usually experience about four or five periods of REM sleep; they are quite short at the beginning of the night and longer toward the end.

That means if I want to make a soundtrack to a dream, it should range from 18-30 minutes.

So I decided that I would explore one of my old dreams in the sonic spectrum:

BACKGROUND:
This dream is from over 20 years ago. I was sleeping in a bunk bed in Colorado with a pack of boy scouts from my elementary school staying in an air force barracks. The mattresses were covered in plastic, and I remember my nylon sleeping bag slid off the mattress and I was rudely woken up by a loud THUD and me on the floor.

The dream started in a giant white room.  A very very big room with light coming from all directions except below.  The floor was solid white with raised white lines which marked the lane which I proceeded to follow.  Automatically, almost floating, I started moving forward.  I couldn’t move my head, so I was limited to what my eyes were able to see.   The lane was a part of a large athletic track shape, with one time around being a quarter mile.  At each end, there was a solid fluorescent neon light, one blue one pink.  These lights were washed out by the other white light that saturated the place, so they didn’t illuminate their surroundings.  In fact, they also made a humming sound, which I tried to capture in the music.

The dream was a little frightening and very irritating.  It created a strong sense of anxiety and lack of control.  I had not seen the movie THX1138 at this point in my life, but the movie reminded me of this dream

Here is a good image that fits the dream:

I used these 2 instruments I got myself for Christmas:

in LOGIC with a ULTRABEAT drum machine filtered through EFFECTRIX and some analogue synth samples played over ULTRABEAT with reverse reverb.

Justin

Modern Monday – Skrillex first of the year

December 26, 2011 in Modern Monday

This video is for a song made by Skrillex, an American artist that knows the music industry way better than I do. I am reading his wikipedia page now… dang! Dude has been around and he is still only 23 (in 2011)

Check this video out! Pretty incredible video that reminds me of the old Aphex Twin come to daddy video.

So in terms of music, it starts out with a couple of samples backing up a vocal that has been pitch shifted up.

The piano theme seems to be the main essence of the song.

Then cue the MAGIC.

The super wild bass sounds most likely made in MASSIVE are cut up probably in a sampler of some sort and turned into a montage of ideas after ideas. Pretty incredible music.

I wonder if Skrillex has ADD. His music consists of half beat riffs, one measure riffs and two measure riffs. Wild stuff.

I have tried to mimic the sound using Massive myself, but haven’t got the patience to learn the software or the desire to make music like this. But I have tried to find a way to make my bass guitar sound ridiculous like this.