Justin

和 (wa) Wednesday The Biwa

January 12, 2012 in 和 (wa) Wednesday

I’ve written about the Koto and a little about the Shamisen, but one instrument I don’t know much about is the Biwa.

This photograph on the left shows a modern Gagaku (traditional shinto court music) musician playing a “Gaku-biwa” which is only used in court music.  This is probably the most basic and oldest shape of the instrument.

The biwa came directly to Japan from China.

Check out this painting on the left China, probably Turfan, Tang dynasty, 8th century and the wood carving from Japan on the right.

The lineage of the instrument is traceable across asia to the middle east.

You can see the biwa shaped instrument in the bottom left corner of this painting from Persia.

The instrument was played by musicians who were known as Biwa-Hoshi.  They were traveling musicians who earned income by reciting  vocal literature to the accompaniment of biwa music. Often blind, they adopted the shaved heads and robes common to Buddhist monks. This occupation likely had its origin in China and India, where blind Buddhist lay-priest performers were once common.  These musicians would spread the buddhist precepts while singing and performing:

1.As the Buddha refrained from killing until the end of his life, so I too will refrain from killing until the end of my life.

2. As the Buddha refrained from stealing until the end of his life, so I too will refrain from stealing until the end of my life.

3. As the Buddha refrained from sexual misconduct until the end of his life, so I too will refrain from sexual misconduct until the end of my life.

4. As the Buddha refrained from false speech until the end of his life, so I too will refrain from false speech until the end of my life.

5. As the Buddha refrained from alcohol until the end of his life, so I too will refrain from alcohol till the end.

In Japan, the biwa musicians started to tell the tale of Heike around 1220.   It details battles between two powerful clans, the Genji and the Taira around the 12th century. The Taira were eventually annihilated by the Genji, who systematically killed every male descendant of the Taira.  The Taira spirits then began disrupting the peace. The Great Earthquake around 1185 C.E. contributed to this sentiment. Since their rituals included placating spirits and preventing plagues, Heike story telling through song became a vehicle for containing lingering, resentful Heike spirits. Heikyoku and biwa musicians became immensely popular for the next several hundred years.

One thing that I noticed in reading about the Biwa’s history, they seemed to belong to something like a union called the Tōdōza. A Japanese guild for blind men, established in the 14th century by the biwa performer Akashi Kakuichi. Members performed a variety of roles, as itinerant musicians, masseurs, and acupuncturists. It seems the government supported the guild and made sure they were performing and working.

The Todoza was banned in the Meiji period and musicians were forced to work for their own livings. Since then, the Meiji period brought a promininet interest in western instruments.  The biwa almost died out, but thanks to people who understand the importance of maintaining traditional culture, the instrument is still performed today.
Watch!

She is performing a Satsuma biwa.  There are a variety of different biwa available.   The main instruments now are Satsuma (on the right) and Chikuzen(on the left).

There are a number of foreign musicians playing chikuzen biwa nowadays.  Wonderful to hear!

 

Enjoy!

Justin

Ritsu Scale in Gagaku

August 9, 2011 in 和 (wa) Wednesday

I love the sound of Gagaku and how sparse and simple it is. The Ritsu scale is the most common scale found in gagaku pieces and here I decided to copy the chords for the instrument: sho (pictured on the right) and use them for comping on the keyboard, which creates this wispy, thin sound.

In the piece below, I used the koto as a lead instrument, which of course is breaking the rules, but whatever! Typically the lead instrument is played by this guy on the left. But if you know me, you know that’s not me and I don’t own that instrument yet. Enjoy the video featuring my floating girlfriend’s head below!

Quiet!

Justin

The Koto

July 4, 2011 in 和 (wa) Wednesday

The Koto is a 13-string zither,

This picture shows the Yamada school koto above, and the typically more decorative Ikuta school koto below.  The Yamada koto is used in both schools because it generally has better resonance.

It is played by plectrum or picks attached to your fingertips. They are traditionally made from ivory.

Different picks of the two different schools of koto

The schools are as listed above:

Ikuta school and the Yamada school of koto playing

Here is a picture of the Yamada School of Koto in Tokyo.

There are also different sizes and number of stringed instruments out there.
17 string bass koto
17 string bass koto
21 string koto!
21 string koto!
25 string super koto!
25 string super koto!
the WTF replica of the 80-string Koto Miyagi Michio developed
the WTF replica of the 80-string Koto Miyagi Michio developed

The instrument is still actively performed today, but the numbers of musicians are slowly declining and not many people are using the instrument in a fun manner like I have.
I hope we can explore the usage of this instrument in it’s original Japanese tuning and form while shaping western music around it.

Justin

25 string Koto.

July 3, 2011 in 和 (wa) Wednesday

I got tickets to a concert this month where someone will be playing a 25-string koto. This instrument seems to combine the best of the 13 and 17 (bass) string koto. Beautiful sound.